橘京身 「きざし」 朱墨・和画仙 135×210cm橘京身 「きざし」 墨・和画仙 135×140cm橘京身 「きざし」 墨・和画仙 70×135cm橘京身 「きざし」 墨・和画仙 70×135cm橘京身 「繫(つながり)」  墨・キャンバス 90.9x72.7cm橘京身 「繫(つながり)」 墨・羅紋箋      52.3x34.5橘京身 「閃門」 墨・本画仙 69x98cm橘京身 「ココロ ドコニ ココニ」 画仙紙・墨82×173cm橘京身 「ココロ ドコニ ココニ」 墨・本画仙82×173cm

*掲載写真は作品の一部です。各画像をクリックすると拡大します。

橘 京身

Tachibana Kyomi

橘 京身

1979  Born in Kochi.
1982  Studied calligraphy under her mother who is also the calligrapher.
1998  Studied under Kinji Fujita.
1999  Independent calligraphy exhibition excellent work prize.
2002  Graduated from Chinese literature of Daito Bunka University.
2006  Mainichi Prize for the Mainichi calligraphy Exhibition in a large character category.
2007  her work was accepted at“Hunt for This Century's Leonardo da Vinci!”International Art Triennale2007.
The excellent work prize for Mainichi calligraphy Exhibition in a large character category.
2008  Personal exhibition“kokoro dokoni kokoni” (Koshin gallery/Ginza).
2009  Personal exhibition“Liberating of the Very Strange” (salone Ondata/Ginza).
Exhibited Spirited Calligraphy Exhibition Seoul 2009( The palace of the art /Seoul).
The excellent work prize for the Mainichi calligraphy Exhibition in a large character category.
2010  Exhibited Spirited Calligraphy East and West Exhibition (Georgia State University ) .
The Fine work Prize for the Mainichi calligraphy Exhibition in a large character category.
2011  Personal exhibition“Senmon” (Koshin gallery/Ginza).
The Fine work Prize for the Mainichi calligraphy Exhibition in a large character category.
2012  Personal exhibition“symptoms” (Koshin gallery/Ginza)
her work was accepted at Art Award NextⅡ(Tokyo Art Club)

2015-2016 Contemporary Suiboku Artist 2015(The National Art Center)

 

Artist's comment

Being embraced by old wisdom, I want my written characters to be reflection of myself at the moment.
With that spirit, I have interpreted the subjects in my way and pursued the new style of character expression.
All my works are based on calligraphy.
If conveyance is the significance of written characters, this method also would be another state of it.
I will continue creating my own realm of calligraphy with following three  foundations.

SENSITSU・・・quality of lines to form a drawn figure
SUMIIRO・・・sumi color
YOHAKU・・・blank space

 

<translation by simo-yang>

 

Tachibana Kyomi's art studio  2020 June (Japanese)